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December 2023

November 2023

October 2023

ARTICLES

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Michaelina Wautier (c. 1614–1689), Study of the Medici Ganymede Bust, c. 1640/50

Charlotte Roosen, Assistant Curator of the exhibition Michaelina Wautier, Painter, at the Kunsthistorisches Museum, Vienna

Jacques de Gheyn II (1565–1629), Four studies of a nude woman combing her hair, 1602–1603

Jane Simpkiss, Curator at Compton Verney, Warwickshire

Jean Honoré Fragonard (1732–1806), The Oval Fountain in the Gardens of the Villa d'Este, Tivoli

Sarah Catala, curator of Hubert Robert & Fragonard. A Feeling for Nature at the Musée de Valence

Mary Smirke (1779–1853), The Thames near Richmond

Rachel Sloan, Associate Curator for Works on Paper at the Courtauld Gallery, London

Palma il Giovane (Jacopo Negretti) (1548–1628), Studies for a Transfiguration and Saint John the Baptist

Furio Rinaldi, Curator in Charge of the Achenbach Foundation for Graphic Arts at the Fine Arts Museums of San Francisco, San Francisco

Michiel D. van Limborch (c. 1615–1675), Portrait of a Girl

Dr Annemarie Stefes, independent art historian

Gabriel de Saint-Aubin (1724–1780), Three Young Women Drawing at a Table

Julian Brooks, Senior Curator of Drawings at the J. Paul Getty Museum, Los Angeles

Giovanni Francesco Barbieri, called Guercino (1591–1666), Saint William of Aquitaine kneeling, in armour, receiving the monastic habit

Dr Giovanni Sassu, Director of the Civica Pinacoteca "il Guercino", Cento

Johann Ulrich Mayr (1630–1704), Portrait of a woman

Gode Krämer, former Head of the Graphic Art Collection and the Picture Gallery at the Kunstsammlungen & Museen Augsburg, Augsburg

Louis Jean Desprez (1743–1804), The Tomb of Agamemnon, set design for the opera “Electra”

Sonia del Re, Senior Curator of Prints and Drawings at the National Gallery of Canada, Ottawa

Claude Lorrain (1604/5?–1682), A View of Sant’ Agnese Fuori le Mura

William Satloff, former Graduate Curatorial Intern at the Clark Art Institute, Williamstown

Albrecht Dürer (1471–1528), Lectern with Books

Christof Metzger, Curator for German and Austrian Art until 1760 at the Albertina, Vienna

Henri Michaux (1899-1984), Untitled (Mescaline drawing)

Linda Karshan, artist and collector

Antoine Watteau (1684-1721), Tête de femme tournée vers la gauche portant un collier

Dr Axel Moulinier, collaborator on A Watteau Abecedario, catalogue raisonné of the paintings by Antoine Watteau, under the supervision of Pr. Emeritus Martin Eidelberg

Lelio Orsi (1508/11-1587), The Walk to Emmaus

Dr Oliver Tostmann, Susan Morse Hilles Curator of European Art at the Wadsworth Atheneum, Hartford

Michelangelo Buonarroti (1475-1564), A Bacchanal of Children

Martin Clayton, Head of Prints and Drawings at the Royal Collection Trust, Windsor

Allan Ramsay (1713-1784), Studies of arms and drapery

Dr Rachel Hapoienu, Assistant Curator of Works on Paper at the Courtauld Gallery, London

François Boucher (Paris 1703 – 1770 Paris), The Fountain of Love

Juliet Carey, Senior Curator at Senior Curator at Waddesdon Manor (National Trust / Rothschild Foundation)

Anthony Van Dyck (Antwerp 1599 – 1641 London), A Wolf and Fox Hunt

Elania Pieragostini, Senior Curator of the Devonshire Collection at Chatsworth, Derbyshire

Alessandro Allori (1535–1607), Young Woman seated on her Haunches, holding an open Book in her Lap with both Hands

Tom Nevile, Editor

Johanna Helena Herolt (Frankfurt am Main 1668 – ca. 1723/43 Suriname), Yellow and Purple Verbascum, with the Life Cycle of a Moth

Sarah Mallory, Annette and Oscar de la Renta Assistant Curator of Drawings and Prints at the Morgan Library & Museum, New York

Sarah Stone (British, 1762-1844), Standing male nude

Amy Lim, Curator of the Faringdon Collection at Buscot Park, Oxfordshire

Herman van Swanevelt (ca. 1603–1655), Porta Pinciana in Rome

Austėja Mackelaitė, Curator of Drawings at the Rijksmuseum, Amsterdam

Sarah Biffin (British, 1784-1850), Self-portrait

Andaleeb Badiee Banta, Senior Curator and Department Head, Prints, Drawings & Photographs at the Baltimore Museum of Art, Maryland

Federico Barocci (c. 1533-1612), Virile torso with a reclining head (a study for the Perugia’s Deposition)

Luca Baroni, Director of the Rete Museale Marche Nord and author of Federico Barocci’s Catalogue Raisonné (Forthcoming)

Benedetto Caliari (1538 – 1598), Mucius Scaevola before Porsenna

Dr Alexa McCarthy, Executive Director of the Greater Des Moines Public Art Foundation and specialist in drawings on blue paper

Antonio d’Enrico, called Tanzio da Varallo (c. 1582-1633), Study of a female nude bust (Eve?), hands crossed on the chest and supported by two arms

Dominique Radrizzani, former Director of the Musée Jenisch Vevey, Vevey

Andrea del VerrocchiO (1435-1488), Head of a woman with elaborate coiffure; looking down slightly to left

Grant Lewis, Milein Cosman Curator at the British Museum, London

Jacopo Palma il Giovane (Jacopo Negretti) (1548–1628), Hand, head and figure studies

Maria Aresin, Curator for prints and drawings until 1800 at the Kunsthalle Bremen, Bremen

Pisanello (Antonio di Pucci Pisano) (c. 1395-1455), Four studies of a female nude, an Annunciation and two studies of a woman swimming

Rosie Razzall, Curator of Drawings at Museum Boijmans Van Beuningen, Rotterdam

Featured

Lucian Freud: Drawing into Painting

Dr Jasmine Clark

Drawn to Venice at the Legion of Honor, San Francisco

Emma P. Holter, PhD candidate

Rosso and Primaticcio: Renaissance at Fontainebleau at the Beaux-Arts de Paris, Paris

Nicolas Bousser, Coupe-File Art

Turner & Constable: Rivals & Originals at Tate Britain, London

Nigel Ip, Print Quarterly

The Carracci Drawings: The Making of the Farnese Gallery at the musée du louvre, paris

Daniel Lowe, Contributing editor

Michelangelo and Men at Teylers Museum, Haarlem

Jasmine Clark, PhD

Reform to Restoration: French Art from Louis XVI to Louis XVIII from the Horvitz Collection at Crocker Art Museum, Sacramento

Sarah Farkas, Associate Curator of Art at the Crocker Art Museum, Sacramento

Victorian Treasures from Cecil French and Scott Thomas Buckle at Leighton House, London

Nigel Ip, Print Quarterly

The Carracci Cartoons: Myths in the Making at The National Gallery, London

Laura Staccoli, PhD Candidate, History of Art, Senior Graduate Teaching Assistant, University of Warwick

Drawing the Italian Renaissance AT The King’s Gallery, London

Nigel Ip, Print Quarterly

Michelangelo, Leonardo, Raphael: Florence, c. 1504 at The Royal Academy of Arts, London

Nigel Ip, Print Quarterly

Paris through the Eyes of Saint-Aubin at The Metropolitan Museum of Art, New York

J. Cabelle Ahn, PhD

Editor’s Letter: A Year of Trois Crayons

Tom Nevile, Editor

500 Years of Italian Drawings from the Princeton University Art Museum at The Benton Museum of Art, Pomona College

Emma P. Holter, Tyler School of Art and Architecture

Michelangelo: the Last Decades AT The British Museum, London

Nigel Ip, Print Quarterly

Bruegel to Rubens: Great Flemish Drawings at The Ashmolean Museum, Oxford

An Van Camp, curator of the exhibition and Christopher Brown Assistant Keeper of Northern European Art at the Ashmolean Museum, Oxford

Attribution! The Trois Crayons Board Game Launch at Galerie Nicolas Schwed, Paris

A look back at the launch of the first board game dedicated to Old Master drawings

Paris Drawing Week and the Salon du Dessin

Louis de Bayser, Président of the Salon du Dessin

From Scribble to Cartoon: Drawings from Bruegel to Rubens at Museum Plantin Moretus, Antwerp

Tyr Baudouin, Galerie Lowet de Wotrenge

Impressionists on Paper at The Royal Academy, London

Nigel Ip, Print Quarterly

Holbein at the Tudor Court at The Queen’s Gallery, London

Tom Mendel, Nonesuch Gallery

Superb line: prints and drawings from Genoa 1500-1800 at The British Museum

Tom Nevile, Editor

Evelyn De Morgan: The Gold Drawings at Leighton House, London

Nigel Ip, Print Quarterly

Featured

Collector Portraits: Pierre-Jean Mariette’s (1694–1774) Mounts

Daniel Lowe, Contributing editor

THE EARLY NETHERLANDISH DRAWINGS OF THE BRITISH MUSEUM

Olenka Horbatsch, curator of Dutch, Flemish and German prints and drawings (pre-1800) at the British Museum, and Charlotte Wytema, IMAF Project Curator: Netherlandish Drawings at the British Museum

The Seventeenth-Century Italian Drawings of the Musée Condé

Ulysse Jardat, Curator at the Musée Condé, Chantilly

Collector Portraits: John Bouverie’s (c. 1723–1750) Guercino Drawings

Daniel Lowe, Contributing editor

Recent Advances in Watermark Research

Dr Robert Fucci, University of Amsterdam

Collector Portraits: Giorgio Vasari (1511–1574)

Daniel Lowe, Contributing editor

Drawings at the Society of Antiquaries of London

Chiara Betti, Curatorial Research Assistant at The Society of Antiquaries of London, London

Tracing Time Event Recordings

The recordings of the Tracing Time events programme are now online and can be viewed in full on Youtube

Timeless Materials – a panel discussion

Nicholas C. Williams, Joana Galego, and Pippa Young

On Mescaline Drawings And Artistic Process

Dr Ketty Gottardo, Martin Halusa Curator of Drawings at the Courtauld Gallery, London

Lines of Connection: Drawing and Printmaking 1400-1850

Edina Adam, Associate Curator of Drawings at the J. Paul Getty Museum, Los Angeles, and Jamie Gabbarelli, Prince Trust Associate Curator in Prints and Drawings, The Art Institute of Chicago, Chicago

The Drawing Foundation

Allison Wucher, Simon Levenson and Daniella Berman

The Italian Baroque Drawings of the Städel Museum

Dr Astrid Reuter, Exhibition curator and Head of Prints and Drawings before 1800 at the Städel Museum, Frankfurt, and Dr Stefania Girometti, catalogue researcher

The Italian Drawings of Museum Boijmans Van Beuningen

Rosie Razall, Curator of Drawings at Museum Boijmans Van Beuningen, Rotterdam

Drawing the Italian Renaissance

Martin Clayton, Head of Prints and Drawings at the Royal Collection Trust, Windsor

The Farnese Drawings at Capodimonte

Dr Claire Van Cleave, independent art historian, author of The Farnese Drawings Collection

What’s the big deal with blue paper? part 2

Dr Alexa McCarthy, contributor, Venetian Disegno: New Frontiers and co-editor of Venice in Blue The Use of carta azzurra in the Artist’s Studio and in the Printer’s Workshop

What’s the big deal with blue paper?

Dr Alexa McCarthy, contributor, Venetian Disegno: New Frontiers and co-editor of Venice in Blue The Use of carta azzurra in the Artist’s Studio and in the Printer’s Workshop