Gode Krämer, former head of the Graphic Art Collection and the Picture Gallery of the Kunstsammlungen & Museen Augsburg, has kindly chosen our 23rd drawing of the month.

Artist Nicholas C. Williams revisits questions posed by Annette Wickham, former Curator of Works on Paper at the Royal Academy, during Timeless Materials, a panel discussion on drawing materials, techniques, and practice, held as part of the Trois Crayons: Tracing Time exhibition programme.

Victorian Treasures from Cecil French and Scott Thomas Buckle (24 May - 21 September 2025) at Leighton House, London, reviewed by Nigel Ip.

To Listen · To Watch · To Read

Image: Johann Christian Reinhart (1761-1847), A Farm in Connewitz near Leipzig, 1785-85, watercolour over pencil and ink, 285 x 330 mm, Katrin Bellinger Collection, inv. no. 2018-045

Sonia del Re, Senior Curator of Prints and Drawings, National Gallery of Canada, Ottawa, has kindly chosen our 22nd drawing of the month.

To Listen · To Watch · To Read

Image credit: The National Gallery, London

Test your inner connoisseur.

William Satloff, former Graduate Curatorial Intern at the Clark Art Institute, has kindly chosen our 21st drawing of the month.

To Listen · To Watch · To Read

Laura Staccoli, Ph.D. Candidate, History of Art, Senior Graduate Teaching Assistant, University of Warwick, reviews ‘The Carracci Cartoons: Myths in the Making’ on view at The National Gallery, London until 6 July 2025.

Test your inner connoisseur.

To Listen · To Watch · To Read

Christof Metzger, curator for German and Austrian Art until 1760 at the Albertina, Vienna, has kindly chosen our 20th Drawing of the Month.

‘Henri Michaux: The Mescaline Drawings’, a Q&A with Dr Ketty Gottardo, Martin Halusa Curator of Drawings at the Courtauld Gallery

For our 19th drawing of the month, Linda Karshan, artist and collector, reflects on a highly personal drawing, a gift to the Courtauld Gallery in memory of her husband,  Howard Karshan, and a highlight of the current exhibition, ‘Henri Michaux: The Mescaline Drawings’.