Michelangelo and Men
(15 October 2025 – 25 January 2026)
Teylers Museum, Haarlem
Jasmine Clark, PhD

Reform to Restoration: French Art from Louis XVI to Louis XVIII from the Horvitz Collection (June 1 – September 14, 2025) at Crocker Art Museum, Sacramento. Overview by Sarah Farkas, Associate Curator of Art at the Crocker Art Museum

Victorian Treasures from Cecil French and Scott Thomas Buckle (24 May - 21 September 2025) at Leighton House, London, reviewed by Nigel Ip.

Laura Staccoli, Ph.D. Candidate, History of Art, Senior Graduate Teaching Assistant, University of Warwick, reviews ‘The Carracci Cartoons: Myths in the Making’ on view at The National Gallery, London until 6 July 2025.

Nigel Ip (Print Quarterly), reviews ‘Drawing the Italian Renaissance’ at The King’s Gallery, London.

Nigel Ip (Print Quarterly), reviews ‘Michelangelo, Leonardo, Raphael: Florence, c. 1504’ at The Royal Academy of Arts, London.

J. Cabelle Ahn, PhD, reviews ‘Paris through the Eyes of Saint-Aubin’ at the Metropolitan Museum of Art, New York.

Editor's Letter.

Emma P. Holter (Tyler Art & Architecture) reviews ‘500 Years of Italian Drawings from the Princeton University Art Museum’ at the Benton Museum of Art, Pomona College.

Nigel Ip (Print Quarterly) reviews ‘Michelangelo: the last decades’.

An Interview with An Van Camp, curator of the exhibition and Christopher Brown Assistant Keeper of Northern European Art, at the Ashmolean Museum, Oxford.

A look back at our launch of the first ever board game dedicated to Old Master drawings.

Louis de Bayser, President of the Salon du Dessin, previews Paris Drawing Week.

Tyr Baudouin (Galerie Lowet de Wotrenge ) reviews “From Scribble to Cartoon”.

Nigel Ip (Print Quarterly) reviews “Impressionists on Paper”.

Tom Mendel (Nonesuch Gallery) reviews “Holbein at the Tudor Court”.

Our editor reviews Superb line: prints and drawings from Genoa 1500-1800 at the British Museum, London.

Nigel Ip reviews Evelyn De Morgan: The Gold Drawings at the new Tavolozza Drawings Gallery, Leighton House.