Daniel Lowe reviews ‘The Carracci Drawings: The Making of the Farnese Gallery’ at the Musée du Louvre, Paris.

Jasmine Clark reviews ‘Michelangelo and Men’ at Teylers Museum, Haarlem.

Sarah Farkas provides an overview of ‘Reform to Restoration: French Art from Louis XVI to Louis XVIII from the Horvitz Collection’ at Crocker Art Museum, Sacramento.

Nigel Ip reviews ‘Victorian Treasures from Cecil French and Scott Thomas Buckle’ at Leighton House, London.

Laura Staccoli reviews ‘The Carracci Cartoons: Myths in the Making’ at The National Gallery, London.

Nigel Ip reviews ‘Drawing the Italian Renaissance’ at The King’s Gallery, London.

Nigel Ip reviews ‘Michelangelo, Leonardo, Raphael: Florence, c. 1504’ at The Royal Academy of Arts, London.

J. Cabelle Ahn reviews ‘Paris through the Eyes of Saint-Aubin’ at the Metropolitan Museum of Art, New York.

Editor's Letter.

Emma P. Holter reviews ‘500 Years of Italian Drawings from the Princeton University Art Museum’ at the Benton Museum of Art, Pomona College.

Nigel Ip reviews ‘Michelangelo: the last decades’ at the Royal Academy, London.

An Van Camp provides an overview of ‘Bruegel to Rubens: Great Flemish Drawings’ at the Ashmolean Museum, Oxford.

A look back at our launch of the first ever board game dedicated to Old Master drawings.

Louis de Bayser, President of the Salon du Dessin, previews Paris Drawing Week.

Tyr Baudouin reviews ‘From Scribble to Cartoon’ at Museum Plantin Moretus, Antwerp.

Nigel Ip eviews ‘Impressionists on Paper’ at the Royal Academy of Arts, London.

Tom Mendel reviews ‘Holbein at the Tudor Court’ at the King’s Gallery, London.

The editor reviews ‘Superb line: prints and drawings from Genoa 1500-1800’ at the British Museum, London.

Nigel Ip reviews ‘Evelyn De Morgan: The Gold Drawings’ at the Tavolozza Drawings Gallery, Leighton House.