Archive
Filter all newsletters by month or filter by individual sections.
Newsletters
- April 2024
- April 2025
- August 2024
- August 2025
- December 2023
- December 2024
- December 2025
- February 2024
- February 2025
- January 2024
- January 2025
- January 2026
- July 2024
- July 2025
- June 2024
- June 2025
- March 2024
- March 2025
- May 2024
- May 2025
- November 2023
- November 2024
- November 2025
- October 2023
- October 2024
- October 2025
- September 2024
- September 2025
- february 2026
- march 2026
In Conversation with Chiara Betti, Curatorial Research Assistant at the Society of Antiquaries of London
Chiara Betti of The Society of Antiquaries of London
Tracing Time Event Recordings
The recordings of the Tracing Time events programme are now online and can be viewed in full on Youtube.
Timeless Materials – a panel discussion
Artists Nicholas C. Williams, Joana Galego, and Pippa Young
On Mescaline Drawings And Artistic Process
Dr Ketty Gottardo, Martin Halusa Curator of Drawings at the Courtauld Gallery
The Italian Baroque Drawings of the Städel Museum
Dr Astrid Reuter, Exhibition curator and Head of Prints and Drawings before 1800 and Dr Stefania Girometti, catalogue researcher
The Italian Drawings of Museum Boijmans Van Beuningen
Rosie Razall,Curator of Drawings at Museum Boijmans Van Beuningen in Rotterdam
The Farnese Drawings at Capodimonte
Dr Van Cleave at the Museo e Real Bosco di Capodimonte
What’s the big deal with blue paper? part 2
Dr Alexa McCarthy, contributor, Venetian Disegno: New Frontiers and co-editor of Venice in Blue The Use of carta azzurra in the Artist’s Studio and in the Printer’s Workshop
What’s the big deal with blue paper?
Dr Alexa McCarthy, contributor, Venetian Disegno: New Frontiers and co-editor of Venice in Blue The Use of carta azzurra in the Artist’s Studio and in the Printer’s Workshop
How To: Understand A Collector’s Mark
With Rhea Sylvia Blok, conservateur at the Fondation Custodia, Paris
How To: Understand A Collector’s Mark
Rhea Sylvia Blok, conservateur at the Fondation Custodia, Paris
How To: know that an attribution is ‘Right’
Greg Rubinstein, Senior Director and Head of the Old Master Drawings Department at Sotheby’s
How To: know that an attribution is ‘Right’
Greg Rubinstein, Senior Director and Head of the Old Master Drawings Department at Sotheby’s