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  • Demystifying Drawings
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Collector Portraits: John Bouverie’s Guercino Drawings</span>
february 2026 Visuable 02/02/2026 february 2026 Visuable 02/02/2026

Collector Portraits: John Bouverie’s Guercino Drawings

Daniel Lowe, Contributing editor

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Recent Advances in Watermark Research</span>
January 2026 Visuable 06/01/2026 January 2026 Visuable 06/01/2026

Recent Advances in Watermark Research

Dr Robert Fucci of the University of Amsterdam

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Collector Portraits: Giorgio Vasari</span>
December 2025 Visuable 01/12/2025 December 2025 Visuable 01/12/2025

Collector Portraits: Giorgio Vasari

Daniel Lowe, contributing editor

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In Conversation with Chiara Betti, Curatorial Research Assistant at the Society of Antiquaries of London
November 2025 Visuable 30/10/2025 November 2025 Visuable 30/10/2025

In Conversation with Chiara Betti, Curatorial Research Assistant at the Society of Antiquaries of London

Chiara Betti of The Society of Antiquaries of London

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Tracing Time Event Recordings
September 2025 Visuable 01/09/2025 September 2025 Visuable 01/09/2025

Tracing Time Event Recordings

The recordings of the Tracing Time events programme are now online and can be viewed in full on Youtube.

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Timeless Materials – a panel discussion</span>
August 2025 Visuable 01/08/2025 August 2025 Visuable 01/08/2025

Timeless Materials – a panel discussion

Artists Nicholas C. Williams, Joana Galego, and Pippa Young

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On Mescaline Drawings And Artistic Process
April 2025 Visuable 01/04/2025 April 2025 Visuable 01/04/2025

On Mescaline Drawings And Artistic Process

Dr Ketty Gottardo, Martin Halusa Curator of Drawings at the Courtauld Gallery

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Lines of Connection: Drawing and Printmaking 1400-1850</span>
March 2025 Visuable 01/03/2025 March 2025 Visuable 01/03/2025

Lines of Connection: Drawing and Printmaking 1400-1850

Edina Adam and Jamie Gabbarelli

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The Drawing Foundation</span>
February 2025 Visuable 01/02/2025 February 2025 Visuable 01/02/2025

The Drawing Foundation

Allison Wucher, Simon Levenson and Daniella Berman

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The Italian Baroque Drawings of the Städel Museum</span>
January 2025 Visuable 01/01/2025 January 2025 Visuable 01/01/2025

The Italian Baroque Drawings of the Städel Museum

Dr Astrid Reuter, Exhibition curator and Head of Prints and Drawings before 1800 and Dr Stefania Girometti, catalogue researcher

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The Italian Drawings of Museum Boijmans Van Beuningen</span>
December 2024 Visuable 01/12/2024 December 2024 Visuable 01/12/2024

The Italian Drawings of Museum Boijmans Van Beuningen

Rosie Razall,Curator of Drawings at Museum Boijmans Van Beuningen in Rotterdam

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Drawing the Italian Renaissance</span>
November 2024 Visuable 01/11/2024 November 2024 Visuable 01/11/2024

Drawing the Italian Renaissance

Martin Clayton

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The Farnese Drawings at Capodimonte
October 2024 Visuable 01/10/2024 October 2024 Visuable 01/10/2024

The Farnese Drawings at Capodimonte

Dr Van Cleave at the Museo e Real Bosco di Capodimonte

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What’s the big deal with blue paper? part 2</span>
August 2024 Visuable 01/08/2024 August 2024 Visuable 01/08/2024

What’s the big deal with blue paper? part 2

Dr Alexa McCarthy, contributor, Venetian Disegno: New Frontiers and co-editor of Venice in Blue The Use of carta azzurra in the Artist’s Studio and in the Printer’s Workshop

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What’s the big deal with blue paper?</span>
June 2024 Visuable 01/07/2024 June 2024 Visuable 01/07/2024

What’s the big deal with blue paper?

Dr Alexa McCarthy, contributor, Venetian Disegno: New Frontiers and co-editor of Venice in Blue The Use of carta azzurra in the Artist’s Studio and in the Printer’s Workshop

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Trois Crayons at Frieze No.9 Cork St</span>
June 2024 Visuable 03/06/2024 June 2024 Visuable 03/06/2024

Trois Crayons at Frieze No.9 Cork St

Tom Nevile, Editor

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How To: Understand A Collector’s Mark
May 2024 Visuable 01/05/2024 May 2024 Visuable 01/05/2024

How To: Understand A Collector’s Mark

With Rhea Sylvia Blok, conservateur at the Fondation Custodia, Paris

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How To: Understand A Collector’s Mark
April 2024 Visuable 01/04/2024 April 2024 Visuable 01/04/2024

How To: Understand A Collector’s Mark

Rhea Sylvia Blok, conservateur at the Fondation Custodia, Paris

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How To: know that an attribution is ‘Right’
March 2024 Visuable 29/02/2024 March 2024 Visuable 29/02/2024

How To: know that an attribution is ‘Right’

Greg Rubinstein, Senior Director and Head of the Old Master Drawings Department at Sotheby’s

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How To: know that an attribution is ‘Right’
February 2024 Visuable 01/02/2024 February 2024 Visuable 01/02/2024

How To: know that an attribution is ‘Right’

Greg Rubinstein, Senior Director and Head of the Old Master Drawings Department at Sotheby’s

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